Scott Simon, the award-winning correspondent and host of NPR's "Weekend Edition," isn't who he seems on the radio. That, and he's been keeping some of his strongest skills close to his vest. It's the only way to explain the force and magnitude of his first novel, "Pretty Birds."

On the surface there couldn't be more distance between Simon and Irena Zaric, the 17-year-old protagonist of his novel. Wholesome and sturdy, Simon inspires trust in the same way that Walter Cronkite once did. Irena, a boisterous, carefree, high-school basketball star in Sarajevo, in the former Yugoslavia, devours the latest gossip about Madonna and Johnny Depp, worships Michael Jordan and seems more concerned with training her parrot, Pretty Bird, to imitate the sound of a ball swooshing through a hoop than with the politics of a country on the verge of chaos.

Where these two meet and really begin to resemble each other is through the harsh realities of war. Few would peg Simon as a hardened correspondent who's covered 10 conflicts. He just doesn't seem suited to be our man on the ground, interviewing soldiers and their intended and unintended casualties; too mild-mannered and brimming with humanity for such gruesome work.

Irena seems an even less likely candidate to become a sniper, shouldering a gun, dressed in black and hiding on a rooftop. But that's exactly how Simon introduces her in the opening pages of this gripping coming-of-age thriller. She's just a kid, pulling the trigger, then returning to her dog-eared copies of Cosmopolitan.

It's not the sexy, make-believe world of Jennifer Garner in the television series "Alias." Teenage women actually served as snipers for both Bosnian and Serbian forces during the war in Sarajevo. After Simon interviewed one of them, he decided to build a novel around what he imagined the rest of her life might be like. In the process he lays waste to the reference points Westerners hold regarding regional conflicts. By looking at ethnic cleansing from a side window, through the uncluttered eyes of a sympathetic girl, as recognizable as any friend or family member, we feel intimacy and a disturbing amount of dislocation. There's also a surprisingly large dose of gallows humor that's neither forced nor contrived.

Once Simon establishes Irena's horrible rooftop work, he takes us back to the spring of 1992, when Irena, her family and Pretty Bird have to escape across the river to the Serbian side of the city. In the same way that the movie "Hotel Rwanda" detailed the life of refugees in harm's way, Simon's portrait of a family holding life together in funny, familiar and bizarre ways establishes "Pretty Birds" as an important document describing a specific time and place. The decline of everyday comforts, beginning with heat and lights, spirals into ditch-digging for the military and stealing money from the pockets of dead men. It's an almost casual, natural progression to that trigger task on the roof.

When Pretty Bird is set free, her flight back to the family's old home sets up the story's climactic, sweeping conclusion. Simon's novel is a cliffhanger, a deeply moving rebuke of war and a heartbreaking tale about the bonds of friendship.



Buy this book from Amazonhttp://www.amazon.com/Pretty-Birds-Novel-Scott-Simon/dp/0812973305/ref=pd_bbs_sr_1/002

July 3, 2005

The Sunday Oregonian (Portland, Oregon)

Growing Up Through A Sniper Scope

Joe Kurmaskie

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